The knight in the big world of American TV series

Chapter 1990 Love and Desire (Please guarantee a monthly ticket!!! Please subscribe!!! Please recomm



Chapter 1990 Love and Desire (Please guarantee a monthly ticket!!! Please subscribe!!! Please recomm

Chapter 1990 Love and Desire (Please guarantee a monthly ticket!!! Please subscribe!!! Please recommend!!!)

In fact, compared to the gods in Chinese mythology, the gods of Olympus have no prejudice. Male gods can marry mortal women, and goddesses can fall in love with mortal men, and no one will stop them... On the contrary, many beautiful women have to be careful about being harmed by gods.

Among them, Zeus is relatively good, at least he can be romantic most of the time, such as disguise. Of course, sometimes his taste is a bit strong, such as turning into a swan, a cow, and even turning into golden rain. Oh, and he also turned into a woman to get close to his target. The most amazing thing is that he turned into a giant eagle to rob a beautiful man (Ganymede is the youngest son of Tros, the king of Troy (yes, male).

God knows why his taste is so unique.

But this is better than Poseidon. Poseidon never falls in love, he always forces himself on others!

Even if she was Poseidon's legal wife, she was stolen!

The myth goes like this: 'In the deep sea stands the magnificent palace of Poseidon, Zeus's great brother and the shaker of the earth. Poseidon rules the sea, holding a trident in his hand, and the waves obey him as long as he moves his hand. Living with Poseidon in the depths of the sea is his wife Amphitrite, the daughter of the old sea god Nereus, who can predict good and bad luck. She was snatched away from her father by Poseidon, the great ruler of the sea. Once, Poseidon saw her dancing with her sisters, the daughters of the sea god Nereus, on the shore of Naxos. Poseidon was overwhelmed by Amphitrite's beauty and immediately wanted to pull her into his car and take her away, but Amphitrite hid behind Atlas, the Titan god who carried the sky on his strong shoulders. Poseidon could not find her for a long time. Later, a dolphin told Poseidon where she was hiding. Poseidon snatched Amphitrite from Atlas and arranged the dolphin as a constellation in the sky.'

It is said that, it is said that.

This is the origin of the Dolphin constellation... Anyway, it is impossible for the Chinese people to understand its meaning.

In a story about a woman being kidnapped, the snitch actually got credit... and even rose to the sky to become a constellation... It's simply outrageous.

Anyway, from these stories we can see what kind of bastards these gods of Olympus are!

So they don't really care about things between men and women.

Although Hades and his wife doted on Melinoe very much, they had no intention of letting her become a spinster... Although the Olympian pantheon revered chaste virgins, except for a few priests who needed to remain virgins, other gods were very open-minded about this and would not abide by any rules and regulations.

At least it is much better than the strict class system in China where no one can cross the line! (To be honest, I have never understood why the Cowherd and the Weaver Girl and the Seven Fairies Dong Yong could be stopped. Isn't it just love between a man and a woman? You can have the Queen Mother, but other gods are not allowed to have wives? Besides, many branches of Taoism do not ban marriage leave. Even Buddhism is the only branch of Buddhism in China that bans marriage leave. You should know that before the Ming Dynasty, it was not a big deal for monks to eat meat and marry wives! Why is it that the Cowherd and the Weaver Girl couples are banned? In this regard, ancient Greek mythology is very open. Damn, they play everything, men and women, men and men, and even with small animals. As for violating the moral code, there are even more)

So they would not be angry because Melinoe was in love.

But they would be angry because Aphrodite used the golden net to make their daughter fall in love.

Firstly, it’s because they all hate Aphrodite, and secondly... Aphrodite has a problem, or in other words, any couples that are personally introduced by her will end up in tragedy!

Her love is passionate and impulsive, but definitely not happy.

Therefore, the best outcome for Melinoe is to suffer minor injuries, and the worst outcome... he might even die!

This is why Aphrodite, who represents love, never stays loyal to one partner.

So Charon was very worried before, but now he feels much better. After all, the object is a foreign god. Well, he can survive it with a strong life. At least he won't die in the end. The worst thing is just a broken heart.

Gods live long lives, and everyone has experienced a broken heart once or twice.

So it’s not a big deal.

"Let's go! Otherwise that bitch and Hades will find out. Then we won't be able to leave even if we want to!"

Seeing that the trouble was temporarily resolved, Aphrodite urged Charon to sail away.

Charon's whole face was wrinkled. He was extremely regretful now. He hoped that the great Kronos could show up, let him travel through time and go back to the past, slap him in the face, and wake him up. Who knew that a simple business deal would turn out like this. [Kronos, the youngest of the twelve Titans and the father of Zeus, is usually described as a wise old man with a long gray beard, the Father of Time. In fact, in real mythology, Kronos is not the Titan of Time, he is just a simple king of gods. It's just that his name was confused with Chronos, the Father of Time, the original god worshipped by Orphicism (also known as Orphicism), one of the three major mainstream sects. The ancient Greek spellings of the two are very similar, with only one letter difference, so they are always confused. Here they are directly combined together.]

This is because Charon has been staying in the underworld and is unaware of the conflict between Zeus and Asgard, otherwise, it would not be as simple as slapping himself twice.

Sometimes, ignorance is neither luck nor misfortune.

The Styx and the real universe are not in the same dimension, so the speed of time is different. In the real universe, only two solar hours have passed, but in the underworld, three full days have passed. Of course, this speed is not fixed. Sometimes, a year in the Styx is only one day in the real universe.

This is a dimension created by the gods using their great power. The laws are incomplete and are completely at the service of the gods, so things like time have no substantive meaning here.

Of course, it's different for the people inside.

At least Thor and Melinoe's relationship heats up quickly.

At the beginning, after Aphrodite removed the golden net, Melinoe wanted to have a duel between women with Aphrodite.

But Thor stopped him.

At that time, the two were like elementary school students who had just fallen in love. They separated as soon as their bodies touched each other. They didn't even dare to look each other in the eye. The atmosphere was so youthful that if you didn't know, you would think you were watching some youth campus love story... But fortunately, Thor is a rough man.

He is quite direct and simple. If he likes someone, he will say it out loud without any need to hide it.

He began to ask the girl's name.

Melinoe, like a little girl who was experiencing love for the first time, said her name evasively.

But soon, very soon.

The two began a lively conversation.

Only Charon felt the pain in his balls... He was an old novice and didn't care much about love... To be honest, he and Poseidon were in the same camp. When he saw a pretty girl and she was in the mood, he would just go for it.

The straight ball was a mess.

They are not just on the brink of committing a crime, they are heading straight for committing a crime.

In fact, these gods who were born before Aphrodite did not know what love was. The ancient god of love, Eros, was called the god of love, but in fact he was more like the god of desire. He represented the most primitive impulse and the instinct of reproduction. That thing is not called love...

Should we praise the incomparable joy brought by love, or condemn the intense pain and despair brought by love? Should we extol its virtue of giving life, or expose its cruelty and illusion? This is also a question weighed by psychoanalysts and writers. People have always tried to define and understand love. Some say that love is pure altruism, some say that love is equality, some say that love is about absolute trust, some think that love is eternal, and some think that love is momentary... However, these statements only grasp certain aspects of love on the surface, and cannot really explore its essence.

Jacques Lacan (French writer, doctor, scholar, psychoanalyst, also considered a structuralist) believes that it is impossible to say anything meaningful or judgmental about love. When we start talking about love, we fall into a low energy state, that is, into a state of emotion and feelings. It is difficult to conduct objective, meaningful or judgmental discussions. Love is defined by Lacan as a purely imaginary phenomenon, which involves the subject's fantasy and projection of the object. Love is autoerotic and fundamentally has a narcissistic structure, because what we love in love is our own self. It is our own self that becomes real at the level of imagination. In other words, we do not love the real object itself, but our own inner imagination. We idealize ourselves as a perfect existence, and the person we love becomes the complement of our inner heart. Love involves a kind of imaginary reciprocity, because the essence of love is to hope to be loved by the other party. It is this reciprocity between love and being loved that constitutes the illusion of love. We hope to be loved and hope that the person we love can understand and accept our inner world. This process of mutual projection and understanding constitutes the illusion of love and is also a kind of complement for our inner deficiencies. In addition, love is a false fantasy that fills the absence of any sexual relationship through fusion with the beloved. This absence makes the subject's projection and imagination of the beloved more intense and urgent in the relationship of love, because the subject tries to fill this lack by fusion with the object. In this imagination, the beloved becomes a symbol and extension of the subject itself. Through the relationship with the beloved, the subject tries to make up for his own internal deficiencies and deficiencies, thereby gaining a sense of satisfaction. However, this sense of satisfaction and security is only an illusion and imagination, and it cannot really solve the desires and sense of lack in the subject's heart. Therefore, the sexual desires and needs in love are often an unrealizable fiction, and they can only be satisfied in the subject's imagination and fantasy. This is particularly clear in the asexual concept of "classical love".

The asexual concept of classical love reflects the nature of this imagination and fantasy. The love and emotions in it are often based on a kind of asexual idealization and imagination. Therefore, Lacan believes that love is deceptive. As a false environment of mirror reflection, love is essentially deceptive. The reason why it is deceptive is that it involves giving what you don’t have, that is, phallus. Love is giving what you don’t have. Love is not directed to what the object of love has, but to what you lack, to the nothingness beyond yourself. The reason why this object is given value is that it comes to that missing position. That is, we will fill the emptiness and lack in our hearts through the object of love, especially the needs that were not met in childhood. In this case, love can indeed be regarded as a satisfaction of desire and self-realization. People also often escape their own sense of lack and insecurity of existence through love relationships, thus producing a kind of (false) satisfaction in emotion.

Between love and desire, we can even say that love kills desire, because the basis of love is the fantasy of integration with the beloved, which abolishes the difference that prompts desire. But this sense of satisfaction is not permanent, because the fantasy of love is a deceptive illusion. When we find that the beloved cannot completely fill the sense of loss in our hearts, we tend to fall back into an endless chain of symbols and be driven by desire again. Therefore, we can say that love does not completely eliminate desire, but temporarily conceals the existence of desire, allowing us to temporarily escape the torture of desire. In addition, Lacan also believes that the fantasy nature of love leads to people's blindness and misunderstanding of love. People confuse love with sexual desire and think that the existence of love is based on sexual relations. However, in Lacan's view, sexual relations do not exist, because sexual desire is not equivalent to sexual behavior, but a driving force of human instinct and an important part of human behavior. Love is a more complex and multi-layered emotional state, which involves the need for self-identification and recognition of others, the desire for security and integrity, and so on. Therefore, although love and sexual desire are related, they are not the same. We should be more clearly aware of this when exploring the nature of love.

Love, in itself, is higher than desire, but it cannot be separated from desire.

But the problem is that Charon was born before Aphrodite, so he only has desires, not something as advanced as love.

He couldn't understand why the two young people were being so pretentious.

In his opinion, if they like each other, he will just go for it; if they don't like each other, he will also go for it. It will just depend on who is stronger at that time.


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